In the previous lesson we saw the formation of chords/triads on various notes of a typical Major Scale.
Applying the same method, let us tabulate the triads that can be formed on a Harmonic Minor Scale.
In our case we will talk about the A-Harmonic Minor scale as our reference.
The notes forming the scale of A-Harmonic Minor are A-B-C-D-E-F-G# - A
(remember the leading note is sharpened in harmonic Minor).
The table of triads formation for A-Harmonic Minor scale will be as follows :
So, we can generalize from this table that, in a Harmonic Minor scale,
· the triads on Tonic and Sub-Dominant are Minor Chords,
· the triads on Dominant and Sub-Mediant are Major Chords,
· triads on Supertonic and Leading note are Diminished Chords
· and finally the triad on the Mediant is Augmented Chord.
Totally, we have 2 Minor chords, 2 Major chords, 2 Diminished chords and 1 Augmented chord in a Harmonic Minor scale.
The above is applicable to any Harmonic Minor scales formed on Sharps or Flats also.
Applying the same method, let us tabulate the triads that can be formed on a Harmonic Minor Scale.
In our case we will talk about the A-Harmonic Minor scale as our reference.
The notes forming the scale of A-Harmonic Minor are A-B-C-D-E-F-G# - A
(remember the leading note is sharpened in harmonic Minor).
The table of triads formation for A-Harmonic Minor scale will be as follows :
So, we can generalize from this table that, in a Harmonic Minor scale,
· the triads on Tonic and Sub-Dominant are Minor Chords,
· the triads on Dominant and Sub-Mediant are Major Chords,
· triads on Supertonic and Leading note are Diminished Chords
· and finally the triad on the Mediant is Augmented Chord.
Totally, we have 2 Minor chords, 2 Major chords, 2 Diminished chords and 1 Augmented chord in a Harmonic Minor scale.
The above is applicable to any Harmonic Minor scales formed on Sharps or Flats also.
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